Salma, a well-respected, Arab American professor, is stunned into silence after her world is shaken in the wake of an unthinkable tragedy. She is forced to rethink the relationships with those closest to her. How she reshapes her life will alter all she understood and trusted. With the love of her family, Salma regains the hope and strength she needs to ignite future change.

A marriage, broken by death, is kept alive by the memories held through grape soda.

ALEXANDER THE GRAPE, an unfinished cut-paper animated short from Jim Henson from 1965, relates the fable of a young grape with big ambitions who learns that it is better to accept yourself than to try to be something you are not. The short was reconstructed from film and audio elements; images from Jim’s storyboard fill in missing segments of the animation.

Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.

“Nobody Leaves Alive” by André Ristum is shot in beautiful but also distancing black and white. Looking at the Venice line-up, this seems to be a trend this year among the maestros of cinema. The film is inspired by true events that took place in the last century in the “Colonia” hospital in Brazil. Whoever didn’t fit the standards of society, or their family’s perception of it, was locked away, tortured, and killed. There were altogether more than 60,000 victims. Hope dies last, and some of the inmates don’t give up the fight. We’re reminded of film classics such as “One Flew Over the Cookoo’s Nest” or “Alcatraz”.

An Ivy League professor returns home, where his pot-growing twin brother has concocted a plan to take down a local drug lord.

Four small-town boys are kidnapped by James Whitley, a warm-eyed psychopath. His grotesque pursuit to reunite orphaned children with their deceased birth parents is halted when the boys escape and he is arrested. Fifteen years later Whitley flees during a prison fire and decides to see his mission through. Detective Larson, once Whitley's prior victim, is removed from the case due to impartiality leaving his partner, and lover, Detective Shotwell to solve the case. Fueled by rage and a chance of redemption, Detective Larson chases the steadfast psychopath on his own only to fall back into the same trap he once escaped as a child.

Hacking at Leaves documents artist and hazmat-suit aficionado Johannes Grenzfurthner as he attempts to come to terms with the United States' colonial past, Navajo tribal history, and the hacker movement. The story hones in on a small tinker space in Durango, Colorado, that made significant contributions to worldwide COVID relief efforts. But things go awry when Uncle Sam interferes with the film's production.

Short film by Jae-Yeong Heo, Soo-gil Lee, and Derek Son Tae-woong.

Little Marco suffers from his parents' divorce. He runs away from home and is hit by a car. He drags on but eventually dies under a tree with pink leaves, remembering a story his grandmother told him.